Prepare your fainting couches, because this Victorian novella is rife with gentle hand-squeezes and fast breathing:. Carmilla is a vampire novel that you probably have not read that has changed our modern world and how it views vampires. It is quite hard to find original copies of Carmilla , but there are some beautiful illustrated, annotated, and finely-bound editions of this ground-breaking novel available for the collector.
While it is quite difficult to find a true first edition of In a Glass Darkly , there are many subsequent reprints and reading copies available.
kids\YA vampire novel from the 80s (possibly earlier ?) | Name that Book | LibraryThing
Amber is the current marketing coordinator at Biblio. A lifelong love of the written word brought her to Biblio and she happily spends her days talking about books and delving into the wide world of antiquarian books. These volumes do not feature any of the original advertisements that would have accompanied the magazine edition, but they do organize the entries in a similar fashion as when they were first published.
The state of the volumes reflects the enduring legacy of the periodical, as well as its value as a collector's item. There is some scholarly dispute over when the aesthetic movement officially began, though scholars like Jones cite the genesis of aestheticism in the early s and s.
The Dark Blue , according to Jones, is "a significant milestone in aestheticism's early development". Aestheticism as a movement is notoriously difficult to define. In the broadest term, aestheticism is commonly defined as "art for art's sake". Tom Barringer writes that the movement was "[h]ardly a coherent movement Aestheticism can be thought of as a shared temper of mind that linked creative artists across a range of disciplines from poetry to painting" The aesthetic movement focused on the creation and interpretation of art without reference to the political and social themes of the era.
The aim of aesthetic art must - first and foremost - aspire to beauty, be it in the pure form or bodily sensual pleasure. Art should provide refined sensuous enjoyment, rather than convey moral or sentimental messages. Aesthetic notions of art and beauty are often transcribed as explicitly feminine beauty with an emphasis on sexuality.
- Carmilla / The Evil Guest (Illustrated & Annotated) by J. Sheridan Le Fanu.
- Understanding Laura’s Character and Personality.
- Carmilla - Classic Illustrated Edition.
- Knitting Pattern Blue Hat with Mock Cables for a Lady.
Aestheticism functions, in a way, as a type of network. Aesthetic theories of art and beauty are often translated across mediums via synaesthetic effects. The same principles that made John C. The Brotherhood was founded in and while the Brotherhood itself was associated with many different figures of the era - including painters, poets, critics, and models - the Brotherhood principally consisted of the painters William Holeman Hunt, Dante Gabriel Rossetti, and John Everett Millais.
The Pre-Raphaelite style is characterized by intense colours, complicated compositions, and a fierce attention to detail and symbolism.
Their subjects were often inspired by Italian art before the time of Renaissance painter Raphael, hence the name "Pre-Raphaelite". Much of the style of the Pre-Raphaelite movement can be seen as a rejection of the then modern method if Victorian painting. According to Tim Barringer , artists - led by Dante Gabriel Rossetti - embraced the rich colours, flat surfaces, and "the simple honesty of fifteenth-century Italian then known as 'Early Christian' art" 9.
Many Pre-Raphaelite paintings include accompanying peices of literature—especially works by Dante Gabriel Rossetti, who often wrote poetry for his paintings. In this way, Pre-Raphaelite paintings experimented with how one art form could be translated across mediums, but the Brotherhood is also widely considered to be precursors for the aesthetic movement later in the century for its emphasis on beautiful compositions. The Dark Blue 's status as a Pre-Raphaelite publication is intricate and varied, which perhaps reflects the various artistic mediums utilized by the Brotherhood.
According to Jones, Swinburne's poem blends "descriptions of scent, heat, stickiness, and colour" as a juxtaposition for "the soul's lasting impressions of the lover's passion".
The sensual nature of the poem is evident in the accompanying illustration by Simeon Solomon, another artist that orbited the Pre-Raphaelite circle. Solomon is considered an aesthetic artist in his own right, and Jones argues that Solomon captures the turbulent passion of the lovers with their entwined wrists and the "intermingled locks of hair", symbolizing the interconnections of the couple that will soon be severed.
Solomon's androgynous figures are a recognizable aspect of his style, which Jones hints at as "a connection between aesthetic innovation and same-sex eroticism". It is interesting to compare the arguably homoerotic images of Solomon with the illustrative interpretations of D.
Dante Gabriel Rossetti, arguably the most pre-eminent of the Pre-Raphaelite Brotherhood and its pseudo-founder, published his poem "Down-Stream" in October of Madox Ford's illustrations detail first the seduction in the boat, or punt as it is called in the poem, and then illustrates the bleak nature of the poem's closing lines in the final image.
Depressing as the subject matter is, seduction and abandonment were popular topics for art and literature in the Victorian era.
Finding copies of Carmilla
But further, the subject matter of "Down-Stream" has some interesting implications with the aesthetic movement. The poem revolves around a tale of a woman being taken advantage of, and the intrinsic connections made between the text and the image, as well as death and sexuality, are readily apparent, and "Down-Stream" is not an anomaly in terms of its subject matter. Considering death and sexuality, it is perhaps a natural progression toward a discussion of the Victorian vampire.
The Pre-Raphaelites and their obsession with the beautiful, sensual female form can arguably be viewed as parasitic in nature, especially considering the Pre-Raphaelite's and their rather torrid history with their model subjects. In the sonnet, Dante Gabriel Rossetti, as the artist, "feeds upon" the face of his beautiful model "by day and night Beata Beatrix is modelled after Elizabeth Siddal, though it was completed in , a few years after her death. Rossetti quite literally draws a clear parallel between the mythic relationship between the Medeival poet Dante and Dante's love, Beatrice.
Like Beatrice, Elizabeth Siddal died young, and Rossetti paints his wife in a death-like trance, where she is neither quite alive nor quite dead. Rossetti paints his wife in a vampiric state, but the boundaries between artist and muse, vampire and victim become blurred once we approach "Carmilla", and becomes especially complicated because the novella involves two women, with one distinctly feeding off of the other in a parasitic relationship that is codefied as erotic.
While the character of Carmilla has noticibly assertive, and therefore masculine traits, these traits are curiously absent in the novella's illustrations, which instead amplify Carmilla's sexual form. Illustration by M. Fitzgerald for the first installment of J. Sheridan Le Fanu's "Carmilla" Illustration played a key role in serialized narratives in the nineteenth century, though many of the illustrations no longer accompany the text once it is published a novelized format. According to Mary Elizabeth Leighton and Lisa Surridge, one "cannot simply conflate the serial and volume editions of illustrated Victorian novels and analyze them as the same text" Novellas like "Carmilla" were available to the reading public first in serial installments, and the accompanying illustrations are "intrinsic to the first reading experience of the mass Victorian public" Fitzgerald, as he will henceforth be called, appears to have worked, according to Simon Houfe, primarily with "Irish peasant subjects and middle class subjects" Fitzgerald was apparantly admired by Vincent Van Gogh for his illustrations, which make "Carmilla" and its sensationalist subject matter rather off-brand for Fitzgerald.
But the illustrations in "Carmilla" are significant in their noted divergence from the source material. There is an established pattern in the illustrations of altering, and especially downgrading the more unsettling narrative aspects of Sheridan Le Fanu's Gothic tale. Fitzgerald shows the two women having different reactions to the funeral music. Jones points out that "Laura stands to show respect for the mourners and join them in their hymn-singing, and Carmilla reacts with disgust and anger".
Fitzgerald's image appears to illustrate the moment where "Carmilla struggles to suppress her reaction to the music". She sat down. Her face underwent a change that alarmed and even terrified me for a moment. Eventually another visitor arrives who has disturbing news about Carmilla…. It soon becomes clear that the stranger is no ordinary human, but by then it is too late to save the young woman. Most notably, it started the trend of strong lesbian overtones in the depiction of female vampires. The text is also enhanced by adorable little bat icons used to break up sections within the chapters.
Overall, while I usually prefer to read academic versions of my favorite texts, this edition of Carmilla won me over with both its simplicity and its pleasing aesthetics.
- Carmilla - Classic Illustrated Edition.
- Primer Tiempo Primera Persona (Spanish Edition)?
- The Cynics Word Book (Annotated).
- The Uncanny.
The holidays are always a great opportunity for easing youngsters into reading the classics! Until then, stay morbid!
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